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Monthly Archives: December 2015

Best wishes for 2016

31 Thursday Dec 2015

Posted by morselsandscraps in photos

≈ 17 Comments

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subtlety

Thank you everyone for being such a rich part of my blogging world and for joining me as I peregrinated through 2015. Thank you especially to my five top conversationalists according to WordPress statistics, in alphabetical order – heyjude, lucidgypsy, pommepal, restlessjo and my non-blogging longtime friend Rosemary – but also to everyone else who took time to read and comment. My favourite part of blogging is the exchanges I have with you.

 

This time of year is usually a time of some excess – of food and drink, of get togethers, of family, of crowds in usually uncrowded places (at least in my south coast paradise), of hospitality, and of flamboyance and clamour. So I'm offering you, along with my heartfelt good wishes for 2016, something a bit subtle and serene to rest your eyes and your heart.

 

 

 

 

 

 

 

 

 

 

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Eurobodalla beaches: Myrtle Beach, Dark Beach and Emily Miller headland

29 Tuesday Dec 2015

Posted by morselsandscraps in Eurobodalla beaches, geology, photos

≈ 16 Comments

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Dark Beach, Emily Miller headland, Myrtle Beach

Please join me as I visit three contiguous and very different beaches on the same hot day.

 

Myrtle Beach

The walk in to Myrtle Beach is through twisty spotted gum bushland dense with burrawangs, including an ancient one with a tall, thick trunk. The drop to the beach is surprisingly steep, down wooden stairs.

 

 

What we are seeking here is unconformity, the place of rendezvous for the tilted / folded Wagonga Beds and the horizontal sedimentation of Sydney sandstone, where angles meet straight lines. We find it easily – even I can see the junction, although the camera has a bit of trouble. Things are complicated by chunky rubble in the rugged cliffs at the north end of the beach. Photography is difficult because the sun seems to be wherever I point the camera. But there are great fallen slabs, and slabbed is the best description of the sheer cliffs.

 

Can you see the unconformity?

 

 

 

 

Forget geology and admire beauty!

 

As we return up the staircase, I see “NUD …” scratched into the timber balustrade, and realise why the man who came down to the beach is fussing around settling his paraphernalia. He wants us gone, taking our unknown sensibilities with us. I'd forgotten this is a nudist beach.

On the way back to the car we follow side tracks looking for a way down to the next beach. The drop is always impossibly dauntingly steep.

 

 

 

 

Dark Beach

However, from the carpark there is a track we didn't notice when we arrived so we follow its gentle slope. Dark Beach is a surprise, unlike any other south coast beach I've encountered: fine dark gravel, ankle deep under our weight and puddling in the bottom of our footprints. The biggest surprise is the yellow sand of the next beach, just across a black Narooma chert barrier: how have the beaches remained so separate and distinctive?

Here again we find an unconformity, that magic junction between two totally different rock histories; breccia, a mash-up of angled rocks (or is it conglomerate since most of the jumble of rocks are rounded?); and one of our early geological acquaintances, hard black Narooma chert.

When we're ready to leave we have no problem finding the entrance to the track: a sinister dark glove rising out of the dark sand marks the way.

 

 

 

 

Conglomerate (rounded stones) or breccia ((angular edged stones)?

 

 

A comparison of two beaches

 

 

 

Emily Miller Headland

 

To get to the Emily Miller headland we walk along a fenceline protecting us from unstable cliffs and down a track that uses the sandstone as stairs at the bottom. The rock platform is cut by a trench which seems to be an old dike worn away. I was too timid to jump the abyss although it was an easy step across: next time when it's cooler and I haven't just had a lunch beer I'll be much more daring. While J explores the rock platform, I sit in the sun near a perfect curve containing a layer of gravel, basking in the beauty of pure sandstone country.

 

 

 

 

By lunchtime we are losing geological focus and drenched with sweat so we return home for a long afternoon doze and then a river-loll and wine by the rapids.

 

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Eurobodalla beaches: Wasp Head

25 Friday Dec 2015

Posted by morselsandscraps in Eurobodalla beaches, geology, photos

≈ 12 Comments

Tags

dropstone, fossils, sandstone, Wasp Head

Wasp Head is a beach unlike any other I’ve ever seen. At 280 million years old, it has all the apricot blush, lure and comeliness of geological youth. The landscape here is the result of sedimentation and the movement of glaciers and there isn’t only spectacular sandstone but shell fossils, ironstone box work, dropstones, and even, somewhere, fossil logs.

We begin our exploration admiring the colours and shapes of a sandstone cliff-face. Then we amble around honeycombed rocks until our way is stopped by the sea. At this point we do our usual find-a-path: a scramble up a slope slippery with casuarina needles and dry leaves, a stroll through a casuarina forest and a descent down a grassy hill to an expansive rock platform.

The rock platform is honeycombed, flat with the occasional standing rock. On one of these J spots a shell fossil, and the search is on. It wasn’t the only one.

There are also dropstones carried along and then discarded by glaciers, gravel flows embedded in rock, and strange holes for which I have no explanation.

As we move around the levels of the rock platform we look across to the island over a group of surfers, busy catching waves and breaking boards.

After a late picnic breakfast – potatoes, bread, hummus and leaf litter picked in a hurry from J’s garden (“We’ll just brush the dirt off!”), we head down the path to another platform, this time sloping in sandstone curves to the vivid sea. Here are patterns and curlicues; intricate ironstone boxes; and maybe even a leaf fossil.

The tide covers the beach below cutting us off from further adventures, so we head home, already planning to return to this astonishing landscape.

Maybe Jo’s Monday walkers would enjoy this taste of the NSW south coast.

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A weekend in words

23 Wednesday Dec 2015

Posted by morselsandscraps in Eurobodalla, words only

≈ 12 Comments

Tags

goanna, Kelly Slater, laziness, weekend

I arrive at my weekend B&B to find my host in unaccustomed shorts and thick gloves heading up the hillside clutching something purposefully and carefully in his hands. I whizz over to see what it is – a small goanna, beautifully marked and vibrating with panic. It's already put its jaws around J's thumb which he had to expose to untangle it from the garden netting. I refrain from delaying its release by grabbing the camera and it races up a tree out of reach of galumphing humans, even if they are only trying to help.

The afternoon is very warm and the river reserve J has been shaping for a few years has been slashed by council (at last) so we pack seats, insect repellent and wine and head down to one of our favourite places under a huge old casuarina to watch the long long day draw to a close. We can hear the murmur of small rapids – there's a lot more water in the river than there usually is at this time of the year. A young kookaburra half-laughs above us and then arrows across to the other side of the river.

The sun is sinking and provides us with another pleasure as it back-lights a red spider spinning its evening web racing down, up and across in a very business-like way.

The next afternoon is very hot, so we turn to the river. We walk down the track where I used to wash carrots and beetroot in market-gardening days, and cross towards a developing island. We pass a small eel heading in the opposite direction to hide very effectively in the weed. I'm not wearing my glasses so I have to take J's word for this. Today I lose my balance in the deep sand and topple straight in: none of my usual dithering before immersion. The water is almost blood-temperature and no one else is about.

We sit in the water in the shade, chatting in a desultory way and looking for schools of tiny fish. When we've cooled off, we dress and return to our wine spot. It's been a busy day (three beaches will have a post of their own.) As light fades I sprawl on a cushion and look up through the branches of the massive casuarina, river wrack caught in its branches from the last flood, a good 40 feet from riverbed. The fine tracery of needles and nuts against the sky is replaced by the tracey of branches as I look higher. There is no sign of last night's spider or its web.

On Sunday J spends the morning with water: transferring water between tanks; drenching the garden to tenderness; and trawling through boxes of fittings in search of the appropriate nipple as he refines the fire-fighting system. There has been a small bushfire on Nerrigundah Ridge, alarmingly close and putting paid to summer complacency.

At lunch time we head off to an art exhibition at Bingi where a friend is exhibiting exquisite botanical drawings. The Priory is on a hill with 360 degree views to the sea and over Tuross Lake to the mountains of the Great Divide, and the wind is rioting, slowly spinning a shark sculpture. J was last here in the early 1980s for a clearing sale, nosing around to see what he could find of use in our new poverty-stricken rural life. No sign now of the old sheds and paddocks. They've been replaced by a manificent house, marble floored, and a garden inhabited by sculptures and statues. The artist, Barbara Romalis, is trying to place a delicate pottery nativity scene and can't find a base to her satisfaction. J scrutinizes the paintings by Peter Mesenberg, and pronounces them excellent beyond envy.

My bush weekend is drawing to a close. After lunch we return to the river, startling a foot-long fish (bass or bream?) and loll and idly splash and talk about the magic vastness of geology and other smaller matters.

I return to my beachside home to prepare for the imminent arrival of my Queensland family: son and his partner, two grandchildren, a dog, two kayaks, two motorbikes, eight or nine surfboards, pushbikes, camping gear, and maybe even the bread maker. My resident son amuses – or is it bemuses – me with a video gone viral of Kelly Slater's home-made surfing wave, ending a very pleasant Australian weekend.

 

 

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Discovery of the week: Bolwarra flowers

22 Tuesday Dec 2015

Posted by morselsandscraps in discovery of the week, flowers, photos

≈ 9 Comments

Tags

bolwarra, Eupomatia laurena

It's a long time since I've poked around in my front yard which is full of sandflies, ticks and mosquitoes: or at least that's my excuse. I was prompted by the need to spray knee-high grass. I found two dead trees, and another challenged one, and while I was being sand-flied around the ankles I noticed that the bolwarra was flowering, something I had never seen before.

The bolwarra (its Aboriginal name, meaning either “high”, or “flash of light”, or who knows what?) is a rainforest tree with an ancient lineage. This one's been in my front yard since the rainforest makeover about ten years ago. Its common names are native guava or copper laurel: I'm a fan of common names because they aren't subject to the name changes brought about by taxonomy wars. In this case they hint at its edibility – the sweet, aromatic fruit can be used as a spice-fruit in beverages, jams and desserts; and at the botanical name, Eupomatia laurena.

The flowers have a distinctive ether-like perfume (I've heard it called sewer-like) and each one only lasts a day. They are pollinated by small brown weevils – I spotted one in action, but the camera didn't: a rare occasion when I saw more than the lens.

 

 

 

 

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Servicing the car

17 Thursday Dec 2015

Posted by morselsandscraps in Moruya, photos

≈ 15 Comments

Tags

architecture, churches, graveyard, sculpture, Sydney Harbour Bridge

Potato Point is halfway between two very different towns. Narooma is on the coast, a hilly town with views far to the north, and an inlet dominated by Gulaga. Moruya is on the banks of the Deua: there you look along the river to the mountains of the Great Divide. I shop in both places, and explore them erratically. In Moruya I'm often at a loose end for a few hours while the car is being serviced, so I head off in a different direction each time.

Last week I decide to visit the cemetery. I walk across a very pleasant golf course which even provides shelters from flying golf balls; through the show ground where my quiche won first prize at the annual show before it went mouldy; past the high school where I was a casual teacher and my eldest daughter broke every rule and protocol, usually with impunity.

Graveyards are like rubbish tips. They are always located in splendid places with views that are wasted on their denizens: this one is no exception. I look beyond the markers of death to rolling hills, surprisingly green for this time of year.

The temperature is rising and I welcome benches under old trees as I ramble amongst well-known local names, and cogitate on the changing fashions in tombstones. Older ones showcase the style of the local funeral mason and sport generic words of propriety and piety. Moruya granite features in a few. There are simple wooden crosses; a few markers that have obviously been added by family later: and some that are very individual, even idiosyncratic – a freshly painted purple fence; a photo surrounded by attribute adjectives; a curved female shape, a tiny house complete with gables.

 

 

Moruya offers more than a graveyard. For the living, there are pleasant buildings, some with wrought iron verandahs, and a communion of churches.

 

 

Thirteen wooden sculptures are scattered around the town. They gleam brown and warm against the traffic and the sky representing many aspects of the town including the annual jazz festival, gold mining, wild life, motherhood, the air base in WW2, the Aboriginal presence and of course football.

 

 

Perhaps Moruya's greatest claim to fame is what came out of the ground along the river road towards the airport. The park at the roundabout at the southern end of town has a monument made of polished granite celebrating the men, miners and masons from thirteen different countries, who cut, dressed and numbered granite blocks ready to send to Sydney to build the pylons of the Sydney Harbour Bridge.

 

 

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Discovery of the week: Fossilised ripples

15 Tuesday Dec 2015

Posted by morselsandscraps in discovery of the week, geology, photos

≈ 11 Comments

Tags

Cadgee, fossilised ripples

This won't become a weekly series, because there's no guarantee that each week will proffer a startling discovery. But last week did.

On Saturday afternoon we drove along the river road towards Nerrigundah, the road that I walked in twelve instalments last year with such pleasure. We wanted to examine the rock in the cuttings with new geological eyes, and see if it matched any rockage we'd seen on the ridge in the morning.

We scrutinised the rock face in a way that never occurred to me twelve months ago, noting the easy way pieces peeled or broke off and fell to the road.

Then, high up, a riveting sight. Our first local fossil. Not a shell or a leaf – these rocks are too old for that. What we were looking at was ripples, that most evanescent of motion, captured in stone.

 

Can you spot them?

 

How about now?

 

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Beachcombing

13 Sunday Dec 2015

Posted by morselsandscraps in photos

≈ 31 Comments

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beaches

 

 

 

 

 

 

 

 

 

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More trees

10 Thursday Dec 2015

Posted by morselsandscraps in photos

≈ 19 Comments

Tags

scribbly gum moths, trees

To dwellers in a wood, almost every species of tree has its voice as well as its feature.

 

I am not a “dweller in a wood”, but I am a walker in the bush, and to me too every tree has its voice and its feature. Casuarinas speak in the wind, almost like the murmur of human voices. The trunks of eucalypts creak against each other. Wattles choose to converse in heady perfume; bottlebrush in the multitudinous voices of parrots and honeyeaters.

 

Trunks split to reveal creams, russets, browns and blue, especially under the influence of rain

 

bulge out in intricate carbuncles


break into diagonal fissures, orange and grey
 

create patterns of sublime subtlety over their musculature

 

present designs like subdued Matisse cut outs

 

and tesselate.

 

Their roots break pavements and gather sun-mottles.

 

Their bark peels in rich strips

 

and they blush as they excoriate.

 

Brown, they lean over green foliage and water

 

Tall and silvery-skinned, they reach for the sky in the morning light.

 

They tell their history, not only in their precisely accurate rings of bark which record the quality of seasons as well as the passing of years, but also in fire scars

 

and the only-recently-deciphered tracks of moth larvae.

 

 

Moth larvae postscript: I mentioned these tracks in a previous post, unscientifically hidden in a haiku. My indefatigable friend, Prue, sent me links to some remarkable research by Dr Max Day, recently turned 100, and a number of other retired scientists. Dr Day's most recent paper was published when he was 97. The articles are well worth reading.

http://theconversation.com/unravelling-the-mystery-of-eucalypt-scribbles-11023

http://www.ecosmagazine.com/print/EC12497.htm

 

The quote at the beginning of this post is from Thomas Hardy's “Under the greenwood tree”

 

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Building with stone

08 Tuesday Dec 2015

Posted by morselsandscraps in photos, Western Victoria

≈ 10 Comments

Tags

Aboriginal use of stone, dry stone walls

The western plains of Victoria are amongst the world's great basalt plains and here the many lava flows have weathered into broken volcanic stone fields inviting craftsmen and farmers to build drystone walls. There is even a drystone walls heritage trail to guide you to the most significant walls.

The area around Budj Bim is rich in such walls. Obviously paddocks need to be cleared if they are going to be used for any sort of farming, and the mind boggles at the amount of work long stretches of stone-walling represent. Later walls were built to deter rabbits and fire.

Near Byaduk Caves is a stretch of wall and a faded panel which describes the building process and offers the technical language of the craft: coping stone, wythes, wedge stone, through stone, hearting stone. This wall was built by two men on opposite sides of the wall, maybe creating two or three metres a day.

 

 

It wasn't only Johnny-come-lately settlers who used the stone of this area for building. In this part of western Victoria, Aboriginal people built stone huts and an extensive system of stone channels, weirs and fish traps in Australia's earliest and largest aquaculture venture. The Budj Bim National Heritage Landscape was National Heritage listed in 2004.

 

For more information about Aboriginal building, begin with these sites.

http://www.abc.net.au/worldtoday/content/2006/s1561665.htm

http://www.abc.net.au/catalyst/stories/s805459.htm

Click to access n258.pdf

http://www.austhrutime.com/aboriginal_shelter.htm

 

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