You never know what will turn up at the local library. This time it’s migratory birds and migratory prints.
The presenter is the shorebird recovery expert from National Parks, Narooma. She keeps an eye on migratory bird numbers and safety in the estuaries and on the beaches from Bateman Bay to Eden. She begins by introducing us to E7, a totally inadequate name for a bar-tailed godwit who has been tracked flying non-stop over the ocean from Alaska to New Zealand, an incredible 11500 km in 8 days. And here she is.
We learn more about the The East-Asian Australasian Flyway which extends from Arctic Russia and North America to New Zealand and includes Mongolia, China, North Korea, South Korea, Japan, the Philippines, Vietnam, Laos, Thailand, Cambodia, Myanmar, Bangladesh, India, Malaysia, Singapore, Brunei, Indonesia, Timor, Papua New Guinea, and Australia, so many places for habitat to go awry. Each year 50 million migratory waterbirds use the flyway. We meet other birds that arrive on our local shores and estuaries. We see the beach box which is used to educate people about shorebirds and their sometimes non-too-canny nesting habits.
Then we move into the world of art. Kate Gorringe-Smith starts from a premise: Knowledge bestows ownership; uniqueness bestows value. She invites twenty print makers along the flyway to create prints featuring birds and their migration in some way. They do so, using a wide variety of techniques, sometimes with the signature of their culture, sometimes not.
(If you want to see these images individually, with artist name and print technique look here.)
But that’s not the end of the story. Each original print is folded and addressed to an artist or scientist in one of the countries along the flyway and sent off by normal mail, and then sent back. The exhibition includes these letters, marked by their travels with postmarks, and stamps, mimicking the passage and collateral damage that happens to birds, although none of the letters go missing.
And so to this exhibition in the three libraries of the Eurobodalla Shire, its first airing in NSW.
If you’re as intrigued by this project as I am you might like to explore it further, and also take a look at the overwintering project and its rationale.
Oh the hands, I thought at first they were the Hand of Fatima, but of course Indian henna!
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I hadn’t heard of the hands of Fatima. Thank you.
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The migration patterns must surely indicate the affects of climate changes on our planet so this monitoring is important. I don’t know if you can watch the TV series about China: Between Clouds and Dreams, but if you can then I am sure you would love it. Not essentially about birds, though a group of schoolchildren investigate the spoon-billed sandpiper’s flight and the pitfalls that await it, but about how China can equate its future with its ecology. A real tear-jerker series. (It may be available on DVD)
http://www.channel4.com/programmes/china-between-clouds-and-dreams
(I suspect you won’t be able to view this from Australia.)
We get a lot of birds overwintering here on the estuary so I must make an effort to get down there this year and see what arrives. At the moment we have the last of the swifts before they head off to Africa for the winter, then the fieldfares and redwings should arrive from Siberia.
Incredible journeys these migratory birds make.
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What an amazing library! I was all set to grump at your gallery and then I saw the link so thank you very much. 🙂 🙂 50 million is a huge figure and then there’s this cute little distance flyer! Makes me look positively lazy and moved to wonder how many birds we have on our planet. Thank you for your varied and always interesting outlook on life.
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It never ceases to amaze me how many miles these birds can fly and I love the different elements of this exhibition, including the art from the fly path and the postal journeys taken. Thank you so much for sharing this 💜
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How absolutely fascinating, love the idea of the letters as a nod to the migrations of the birds. And the bar-tailed Godwit is a handsome bird….
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