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The true alchemists do not change lead into gold; they change the world into words.
(William H. Gass: American novelist, short-story writer, essayist, critic, and philosophy professor)
Oh, if only! I do try.
1
At the low-tide line I watch a purple and white pippy, quite a large one, trying to retreat into the sand. However, it has a problem. It can’t seem to tilt itself from horizontal to vertical. It heaves itself through 30° … through another 30° … and finally it reaches perpendicular. Now, it faces another problem: the wavelets aren’t coming in far enough to moisten the sand so it can burrow down. I watch, urging the waves on. One comes close: it moistens the under-sand enough for a slight descending wiggle. Five more waves retreat a good metre away. Then, what it’s waiting for. A bigger wave shushes in, whirling far beyond the pippy, and when it recedes all that’s left is a faint bubble under the sand.
2
An elderly man and woman arrive separately, him in a white ute, her in a small silver car. They set up camp: a blue striped chair, towels, a bilum bag they don’t unpack. He slathers himself with suncream and they set off barefooted along the beach. They’ve only taken a few paces, when they stop and turn to face each other. The conversation becomes vociferous, but it isn’t at all hostile. After a few moments they walk on and shortly stop again, face each other, laughing and still speaking emphatically. This is how they progress further and further along the beach. At their last face-off as they disappear in the distance, she stretches up and reaches under the broad brim of his straw hat and they kiss, still laughing. After a while they return along the beach, amicably, side by side. When they reach their beach camp they strip off and head for the water. She high-steps her way out through the lengthy shallows; stops before the water deepens beyond her knees; slides down into it. He keeps walking out to the wave break, frolics for a while, and finally torpedos into shore, head tucked down, shoulders hunched, body a straight line. They lounge in the sun for a while, and then head back to the white ute and the small silver car.
3
A colony of seagulls clusters together on the sand, all looking out to sea. It must be grooming time. Their beaks are busy amongst the feathers. Some stand on one leg, wing or tail raised,displaying white spots on black, or black pinions. One puts its head down and scurries purposefully, snapping at the air. A few nestle down in hollows in the sand. When people pass they turn their backs and move in a leisurely way up the beach. Occasionally one glides in on spread wings and lands daintily before it takes a few stumbling steps into stasis. When a number of new arrivals land there’s a flurry, and a few aggressive moves, but the colony soon settles back to the business of grooming and gazing out to sea.
4
It’s midday on a sunny weekend. There are a few groups on the sand: a couple in the shade of a striped beach umbrella; a mother and daughter sheltered by a beach tent; a gaggle of young men and women taking pot luck with the sun; a sleek slim couple, silver, tan and startling white, warming up for immersion with a passionate embrace; a touch of elegance on a flat patch where the dunes meet the bush, she in a bright orange dress, he in a straw boater, both with a glass in hand, something decanted from the lime green cooler bag between them. Then there’s a solitary beach bag disgorging towels.
No-one dances in blithely today: the sea which has been pleasantly warm for a few weeks has dropped a few degrees. They toe-test before choosing a place to deposit their gear, and flop, and discard T-shirts, and then move slowly through the shallows, arms raised against the initial chill, or to twist hair into a knot. They become a stumbling silhouette, carving a human shape out of the blue sky, the blue sea, the whiteness of breaking waves. For a while they are mere heads, occasionally acquiring shoulders as the swell diminishes or they bounce above it. Very occasionally they sprout arms and a face as they catch a wave. They don’t stay in long, and recover a complete body and human features as they return to the beach. A woman with a heavily tattooed thigh shakes her head at a tilt to remove ocean from ears, and anxious fingers adjust straps and elastic.
A solitary figure carrying a coiled yellow towel and a pair of sandals moves slowly along the beach, a nearly empty canvas bag hanging across his back.
It’s lunchtime and the beach begins to empty. At the boat ramp, an ageing woman dressed in bright tight yellow, vividly hennaed hair piled into a horizontal french roll, a large yellow flower nested under it, is talking to a local who never speaks to anyone. As we pass he says: “Anyone can talk to me any time, love.”
5
An unlikely trio of dogs frolic while their owners surf: a whippet, whippet thin, almost two-dimensional; a solid sand-and-charcoal mastiff with frown marks that match the body markings; and a brown cattle dog, alert and ready to round up any sheep or cows that stray into his bailiwick. In the shade of the hill a black dog lies, tied to a rock with his lead. A taciturn local arrives with his hyper-friendly Jack Russell who talks to everyone, his owner to no-one. A bouncy young woman tries to pretend that her dog hasn’t just defecated on the pristine beach and surreptitiously kicks sand over the gleaming turds. Later on she comes back with a plastic bag, but she doesn’t excavate. A woman dressed in buff is halfway a long the beach, an obedient black dog at her heels. In the distance there’s a fisherman with a black shape lying beside his chair. I’m eager to add another dog to my tally, but the black shape turns out to be his tackle bag. But here comes Maisie to complete the complement of Spud dogs: a large black bounding dog, full of tail wagging and licking friendliness. She sits beside her owner (who carries a reticule of her excrement) and begs, paws up, for a treat.
This post is number two of a series inspired by icelandpenny who does such things so wonderfully. In reply to my comment on a post of hers, she said Go and settle in somewhere delightful & just see what happens … A reversal of the usual, eh? Let it come to us, instead of rushing around looking for “it.”
The couple is my favourite. 🙂 🙂 And the waves. I do struggle woth Oz-speak at times but the flow is always there.
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Oz speak? What in particular? Obviously I’m not aware of it. I know Australian colloquialisms are often changed in movies for American audiences, sometimes with bizarre (to Oz ears) results. How much longer in the Algarve? That couple eh? I had such fun writing us.
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Bilum bag, pippy, ute car… 🙂 🙂 Back 6th March but we have 3 Spanish days later this week. Yes, that couple… I did wonder. 🙂
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Bilum bag is New Guinea speak: a beautiful capacious woven bag my brother gave me when he was doctoring there long long long ago. Pippy = a shellfish. Ute = a utility truck (which doesn’t have the same feel at all!) Car?????? Surely you have cars in England!
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You see I thought ute car a particular breed, cars being outside my sphere of expertise 🙂 🙂 But I like the sound of the bilum.
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Outside my expertise too. I’m always in strife for identifying vehicles by colour!
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Same here, and these days they’re all white or silver. 🙂
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People, puppies and pippies all in one post, wonderful, although I had to look up pippy. Sestions four and five are my favourites, your special kind of alchemy is shining here Meg!
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What do you call pippies? I’m sure you have them!
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They may be cockles? 🙂
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I enjoyed this very much Meg. Will have to get you up here to Nobbys Beach to see what you make of our human and animal denizens.
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Ummm. You’re there. You could do it. You’re a great noticer!
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Yes I could. But your “take” would be different, just as it is when we photograph the same subject.
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It would! Let’s try something like this in Tumut, or wherever, and compare notes.
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Great idea.
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Thank you! I’m very honoured that you gave the concept a try, and really delighted by the results. The pippy and the puppies (all right, the trio of dogs) caught my imagination most. Though as Sue said in her first comment, it’s impossible not to be caught up by the walk and dynamics of the couple in your second ‘episode.’
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I’m glad you like the pippy and the puppy. To add a twist you might enjoy, the cattle dog puppy over the road is called Pippa. And predictive text kept turning “pippy” into “puppy”. Thank you again for inspiration. I’ll be on the lookout for more opportunities to spy.
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Great bit of narrative, and I just love the story implied in the second paragraph!
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I can tell you more if you’d like!
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Oh, do!!
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J and me. Animated because he’d got hold of the wrong end of an SMS stick, and 5ought I was setting up a geology web page. I just wish I knew enough – and I couldn’t believe he thought I’d presume.
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Oh!
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Aah. People watching. I love it. It felt as though I was sitting on one of those Spud rocks watching all this unfold before my eyes like an “out-of-body experience”. You are such a good storyteller Meg.
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Thank you for praise. This was fun. Maybe shopping mall next.
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Oh, yes. You can make up lots of stories watching people there. Bit like my café watching in Geneva.
https://smallbluegreenwords.wordpress.com/2013/04/23/postcard-from-geneve/
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Just read this with delight.
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Glad you liked it. I have another one still written in my travel journal that I have yet to publish. I tend to photograph more and write less these days. Maybe something to change this year.
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I haven’t bonded with J’s camera yet, so I tend to write more. Days without photographing is unusual for me!
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But you have more than one camera don’t you? Any thoughts on the new one?
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I’m probably going to get another Sony. But deciding is a job for the next seven days
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You have certainly brought the beach to life, Meg. I especially like the episodic approach. It makes me feel as if I’m there watching too, my gaze following yours.
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The episodic approach….yes!
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I’m glad you like episodic. I feel as if it’s a structural avoidance mechanism.
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Not at all. It’s ideal for the setting in which you used it. Besides, sometimes things can feel too structured.
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